I sit eyeing the Metre from my usual perch. However, in the still of the day, it is the hum from within the fuchsia bush behind which arrests my attention.
I stand motionless with the microphone planted in its midst, but it is the experience of listening through the headphones and not the recording itself which is of note:
the depth and width of hum and undulation of its play
the tight, small crackling of fidgeting fuchsia
the abrupt cut of a kitchen knife edge
the horizontal curlew call
the hypnotic draw